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Author by : Brian O'Doherty
Languange Used : en
Release Date : 1999
Publisher by : Univ of California Press
ISBN : 0520220404
These essays explicitly confront a particular crisis in postwar art, seeking to examine the assumptions on which the modern commercial and museum gallery was based....
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Author by : Yann Sérandour
Languange Used : en
Release Date : 2009
Publisher by : Jrp Ringier
ISBN : 3037640421
Using a reprint of the first translation of Brian O'Doherty's influential book Inside the White Cube, Yann Sérandour inscribes himself into the history of Conceptualism by interpolating texts from books addressing similar themes into O'Doherty's volume. Sérandour's détournements raise the stakes for the art of appropriation....
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Author by : Jürgen Partenheimer
Languange Used : en
Release Date : 2017
Publisher by :
ISBN : 1910844179
Partenheimer?s abstract works are characterised by their variable, multidimensional language of forms, lightness of touch, striking use of colour and poetic approach. Partenheimer uses reduction, asymmetry and imperfection in his work to propose alternative modes of perception. These are partly the result of the artist?s engagement with and contribution to a broader theoretical discourse. In his paintings forms circulate around an undefined space ? a 'nothingness' ? and seem to have the potential to dissolve and reform at any moment. This open- ended quality is evident in all the works in this exhibition.00Exhibition: White Cube Gallery Bermondsey, London, UK (28 .04.? 18.06.2017)....
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Author by : Brian O'Doherty
Languange Used : en
Release Date : 2007
Publisher by : Princeton Architectural Press
ISBN : 1883584442
"Studio and Cube is author Brian O'Doherty's long-awaited follow-up to his seminal 1976 essays for Artforum, republished in 1999 as "Inside the White Cube: The Ideology of the Gallery Space." That critically acclaimed volume dissected the abstract, white space of the modern art gallery, calling it "the archetypal image of twentieth-century art." In Studio and Cube O'Doherty turns his attention to the moment of art's creation, exploring the mystique of the artist's studio as the fecund space where inspiration occurs and the artwork is born." "Tracking the relationship between artist and artwork from Vermeer through late modernism, the author considers the differing work spaces of Courbet, Matisse, Rothko, Bacon, Warhol, and many others. He speculates on the implications of the work's transfer from the more anarchic and personal environment of the studio to the art gallery, concluding with a reflection on the way the "unruly energies" of the new media have transformed the classical white-cube gallery today. This is essential reading for anyone interested in the history and issues of contemporary art and the environments in which it is produced. Studio and Cube is the first in the series of FORuM Project Publications produced by the Temple Hoyne Buell Center for the Study of American Architecture at Columbia University."--BOOK JACKET....
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Author by : Andrew V. Uroskie
Languange Used : en
Release Date : 2014-02-27
Publisher by : University of Chicago Press
ISBN : 9780226109022
Today, the moving image is ubiquitous in global contemporary art. The first book to tell the story of the postwar expanded cinema that inspired this omnipresence, Between the Black Box and the White Cube travels back to the 1950s and 1960s, when the rise of television caused movie theaters to lose their monopoly over the moving image, leading cinema to be installed directly alongside other forms of modern art. Explaining that the postwar expanded cinema was a response to both developments, Andrew V. Uroskie argues that, rather than a formal or technological innovation, the key change for artists involved a displacement of the moving image from the familiarity of the cinematic theater to original spaces and contexts. He shows how newly available, inexpensive film and video technology enabled artists such as Nam June Paik, Robert Whitman, Stan VanDerBeek, Robert Breer, and especially Andy Warhol to become filmmakers. Through their efforts to explore a fresh way of experiencing the moving image, these artists sought to reimagine the nature and possibilities of art in a post-cinematic age and helped to develop a novel space between the “black box” of the movie theater and the “white cube” of the art gallery. Packed with over one hundred illustrations, Between the Black Box and the White Cube is a compelling look at a seminal moment in the cultural life of the moving image and its emergence in contemporary art....
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Author by : Brian O'Doherty
Languange Used : en
Release Date : 1986
Publisher by :
ISBN : 0932499058
A pivotal text in post-modern art theory. In these essays, Brian O'Doherty framed an important and still unresolved theoretical debate about the display and consumption of art in the modern gallery space....
